Ver Cuevana2. Section IV is the longest of the four parts and the one in which the photographic material from the past plays the most prominent role. We see more of Brakhage and his wife than in previous sections, both in everyday activities and in the grip of intense emotion; a long sequence shows Jane weeping intercut with stills from her past; another shows Brakhage in anger. The children are seen in varying moods: fighting, crying, delighting in water, absorbed by the grass or their own bodies. The most banal surroundings, such as the bathroom, are totally transformed before our eyes into nearly abstract compositions of form and color, and a mundane activity like dishwashing becomes the occasion for an exploration of pure color. (Artforum)